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African American authors. --- Artists. --- Harlem Renaissance.

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African American Literature in Transition, 1920-1930 presents original essays that map ideological, historical, and cultural shifts in the 1920s. Complicating the familiar reading of the 1920s as a decade that began with a spectacular boom and ended with disillusionment and bust, the collection explores the range and diversity of Black cultural production. Emphasizing a generative contrast between the ephemeral qualities of periodicals, clothes, and décor and the relative fixity of canonical texts, this volume captures in its dynamics a cultural movement that was fluid and expansive. Chapters by leading scholars are grouped into four sections: 'Habitus, Sound, Fashion'; 'Spaces: Chronicles of Harlem and Beyond'; 'Uplift Renewed: Religion, Protest, and Education,' and 'Serial Reading: Magazines and Periodical Culture.'

American literature --- African Americans in literature. --- African Americans --- African American authors --- History and criticism. --- Intellectual life --- Afro-Americans in literature --- Negroes in literature

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One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him.

African American authors --- Authors, Jamaican --- Black nationalism --- Jamaican Americans --- Socialism --- Jamaican authors --- Ethnology --- Jamaicans --- History --- Intellectual life --- McKay, Claude --- McKay, Festus Claudius,

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"This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. Building a critical practice tuned to the struggle against racism and colonialism, these and other Black writers levied their critique from "outside" venues: behind the closed doors of the Senate Permanent Subcommittee of Investigations, in the classroom at a Communist labor school under F.B.I. surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism; they also defined Black literary and interpretive practices to support Communist and other radical world-making efforts in the mid-twentieth century. Hines's book thus offers a number of timely contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university"--

African American critics --- American literature --- New Criticism --- Criticism --- African Americans --- African American authors --- History and criticism --- Political aspects --- History --- Study and teaching

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"In Love and Abolition, Alison Rose Reed traces how the social life of Black queer performance from the 1960s to the present animates the unfinished work of abolition. She grounds social justice-oriented reading and activist practices specifically in the movement to abolish the prison industrial complex, with far-reaching implications for how we understand affective response as a mobilizing force for revolutionary change. Reed identifies abolition literature as an emergent field of inquiry that emphasizes social relationships in the ongoing struggle to dismantle systems of coercion, criminalization, and control. Focusing on love as an affective modality and organizing tool rooted in the Black radical tradition's insistence on collective sociality amidst unrelenting state violence, Reed provides fresh readings of visionaries such as James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german. Both abolitionist manifesto and examination of how Black queer performance offers affective modulations of tough and tender love, Love and Abolition ultimately calls for a critical reconsideration of the genre of prison literature--and the role of the humanities--during an age of mass incarceration." --

Alternatives to imprisonment. --- Prison abolition movements. --- Love. --- Queer theory. --- African American prisoners --- Performing arts --- Radicalism. --- American literature --- African American prisoners --- Alternatives to imprisonment. --- American literature --- Love. --- Performing arts --- Prison abolition movements. --- Queer theory. --- Radicalism. --- Social conditions. --- Social aspects. --- African American authors --- History and criticism. --- Social conditions. --- African American authors. --- Social aspects.